‘We get 200 tourists a day’: when your house becomes a TV star

Saturday marks the 5th anniversary of the current Taliban rule in Aghanistan. They've had a devastating impact on girls' education. A lesser told story is their impact on the education of boys.

A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture. Its creators talk about how they adapted the famously cryptic tale Tatsuya Fujiwara is no stranger to London’s Barbican theatre. It was here nearly 30 years ago that one of Japan’s biggest film stars, now 44, made his stage debut. He was just 15, plucked out of an audition of more than 5,000 hopeful youngsters by the revered theatre director Yukio Ninagawa for his play Shintoku-Maru. It kickstarted Fujiwara’s career, and three years later he landed a role in the cult dystopian film Battle Royale, going on to star in hit TV dramas and blockbuster films, all the while continuing to perform in Ninagawa’s acclaimed productions. Now, Fujiwara returns to where it all began, to perform in a stage adaptation of Haruki Murakami’s science fiction novel Hard-Boiled Wonderland and the End of the World. The story alternates between two seemingly unrelated narratives: a cyberpunk thriller set in Tokyo, and a surreal fantasy that unfolds within a mysterious walled town. Directed by the French choreographer Philippe Decouflé, the play premiered in Tokyo in January, toured Japan until March, then Singapore in April. After the Barbican run this autumn, the tour will wrap up in Paris...

Two Edinburgh fringe shows feature savage send-ups of reviewers. Is this petty revenge or do they have a case? Our writer finds one ‘a hoot’ – and thinks the other let him off lightly No one ever built a statue to a critic, they say – but plenty of art gets made about them. There was Wild Bore at the Traverse a few Edinburgh fringes back, an eye-catching performance-art attack on the notion of critical authority. There was Tom Stoppard’s The Real Inspector Hound, Sheridan’s The Critic, and the 70s horror movie (later a play) Theatre of Blood, in which critics are subjected to gruesome murder at the hands of a deranged thesp. And while we’re talking unspeakable gore, one feature of Sarah Kane’s queasy play Cleansed, currently enjoying a revival, is that (in a wanton act of literary vengeance) its sadistic torturer antagonist is named after a theatre critic, Jack Tinker, who’d panned Kane’s work. Runts of the reviewing litter though we are, there’s even a sub-genre of art about comedy critics. The comic Russell Kane wrote a novel about one who was unable to laugh. Ex-critic Charlotte Runcie wrote another about a journo giving a woman a one-star review for her standup, then sleeping with her...