World Cup fans frustrated by 'confusing and expensive' tipping in US

Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize. Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award...

Working in a high-end restaurant was stressful and scarring. It took an accidental encounter with the TV show to help me heal – and change my attitude towards work Eight years ago, I was working as a waitress in a fine dining restaurant in the Cotswolds. The expertly crafted atmosphere had dim mood lighting, ambient music and a farm-to-table menu. I hated it. The other waiters could charm guests into purchasing expensive bottles, but I just gaped gormlessly when I struggled to recall the wine pairings. My brown leather brogues gave me blisters as I’d hobble to the kitchen to admit I’d forgotten an order in the middle of a busy dinner service. The chefs would shout and shake the ticket in my face...

Their un-Googlable, very online name is the antithesis of this earthy duo’s sublime art-folk. Like their emotionally ambiguous music, the pair don’t give up their mysteries easily • The best music of autumn 2026: Johnny Marr, Phoebe Bridgers, Rachel Chinouriri and more • See all of our unmissable autumn arts recommendations here Victoria Rose arrives at Philadelphia’s 30th St Station and apologises for the sticky streaks covering her car’s interior. She’s a beekeeper, and it’s just propolis, a resinous sealant for gaps in the hive. Her bandmate, Stone Filipczak, is riding shotgun, and her protective gear occupies the rear passenger seat. We’re heading to one of their favourite spots, an Ethiopian restaurant that doubles as a venue. The dining room quickly gets boisterous – a challenge for our interview given that Filipczak and Rose are relatively soft speakers, and not wildly keen to divulge specifics about the music they make as @. Like Rose’s bees, they’re a secretive and self-sustaining pair. As you might guess, @ is pronounced “at”. It’s a tough Google. The name, Filipczak explains, came from “a vision of an @ sign on a kick drum head”. Not that they have any need for one: @’s art-folk is rooted in acoustic guitar, woodwinds and vocal harmonies that furrow and frolic. Their fantastic second album, Autosmile, is their first with the venerated indie label 4AD. (The name is a reference to a meme showing a dopey sunflower: “When you and gang faded and auto smile gets turn on …”)..