Charlene Kaye: Diversity Shredder review – killer riffs slay toxic music industry

I was struggling to make ends meet as an unpaid intern when a sarcastic song from the hit comedy gave me the clarity to walk out It was 3am in the summer of 2017, and I was lying in a triple bunk bed in a hostel in London, listening to the sounds of the 14 other people in my dormitory snoring. I had been working unpaid internships in the fashion industry in London for the past 18 months and living in £12-a-night hostels. When I couldn’t sleep, I would watch TV on my beaten-up phone to drown out the snores. I was watching Unbreakable Kimmy Schmidt, an absurdist comedy about a woman who moves to New York after 15 years imprisoned in a doomsday cult’s underground bunker. Her relentless positivity often inspired me to keep going, but on that particular night, the opposite happened: Kimmy gave me the courage to give up...

British Museum’s £33 tickets sold out in a day but some slots have been reserved for guests at five-star One Aldwych Those hoping to snare a glimpse of the Bayeux tapestry when it comes to the British Museum this September faced nine-hour online queues, with the £33 tickets sold out within a day. But the monied guests of a five-star hotel in Covent Garden have not had to go to such arduous lengths to get a view of the nearly 1,000-year-old depiction of William the Conqueror’s victory over King Harold II of England at Hastings in 1066...

CabVol @ Monkey Barrel, Edinburgh A fringe fling is the backbone for a mischievous set with deft jokes and a fresh perspective but some of this material needs another draft Ayo Adenekan’s ascent has been swift. Last year, the rookie comic cracked a joke on stage about Doctor Who’s Ncuti Gatwa. This year, he scripted jokes for Gatwa, as a writer on Sky’s Saturday Night Live UK. In this second fringe set, the Edinburgh man shows why TV producers spirited him away after last year’s debut: his perspective is fresh, he writes a deft joke, and he has the warmth to win over a room. But he’s not the finished article. He could vary the pace, which tends to the sonorous. Several of his ideas go underdeveloped. And the story Homeland Insecurity tells is unremarkable. It’s a love story, Adenekan tells us at the start, about a summer romance splashed across the canvas of the Edinburgh fringe. A meaningful but fly-by-night fling, it provides the backbone for an hour in which the 24-year-old ranges across his relationship with his dad, his “straight white man friends”, and his outrage when a namesake comedian comes up from London to steal his thunder at last year’s festival. “I’m not concerned about the boats, man. Stop the trains!” There’s a running visual gag too about product placement, which could be something, but Adenekan never really commits to the bit. At CabVol @ Monkey Barrel, Edinburgh, until 30 August All our Edinburgh festival reviews..